Tuesday 29 April 2014

Will Springsteen tour Australia in 2015?... and the hell of the steel rumour mill


Without wanting to fuel rumours or raise false (high) hopes, this is essentially the one question that everyone I spend a certain amount of time with on February’s tour of Australia was left pondering before the final shows across the ditch in New Zealand.

One 10-date tour last year wasn’t enough. Especially when the results of that Tom Morello-fused trip down under included a new album.
So was a second tour, including stops in Perth and Adelaide and four full-album shows – less than a year later enough?

Not if you believe the rumours that circulated the many groups of fans I had the pleasure of sharing shows, drinks and hours upon hours in line with.

In fact by the time the E Street Band reached Mt Smart Stadium in Auckland, Springsteen’s end of show sign off to the crowd that ‘the E Street Band loves ya!’ and ‘we’ll be seein’ ya!’ did in fact mean that once again we could all be forced to book time off work, cancel holiday plans and raid our credit cards for the third tour in as many years.

Normally I would be the first to put this down to just wishful thinking.

Two prolific tours within 12 months isn’t unheard of in the band’s recent history, but three in two years would be extremely unlikely for a tour operation that size.

Also, both visits to Australia came on the back of two different album releases so it would be fair to assume that another trip would coincide with another timely release.

But there are several reasons why it might not be that inconceivable.

They were right last time 
Before the final Hanging Rock show in 2013, rumours in the GA pit were wildly circulating that plans were already underway to bring the band back the next year. 
The Wrecking Ball tour had been such a success with people travelling across the country to get to the shows, there was every reason to believe they would want to return as soon as possible. 




This time as well as rumours of a full The Wild, The Innocent and The E Street Shuffle night in Brisbane, fans who had gotten close to the band were already predicting that Springsteen, the band and the crew were planning on coming back as soon as next year.
These rumour spreaders, amongst several different groups of fans, were right about the full E Street Shuffle show and just as confident about the 2015 return.

The band seem to love Australia
You only have to check out Springsteen’s website, or any number of the Facebook fan groups, to see how much he and the band enjoy their time here. It’s not just the chance of a summer holiday in winter but also the ease of being able to travel across the continent without too much hassle. 
In Europe hundreds of fans are known to wait outside hotels for a glimpse of the band, in Australia they can mostly sit in the band’s hotel bar and wait for them. Not to mention trips to the beach, the zoo or the dry cleaners.
E Street is more accessible than ever
Whether it’s the multitude of books, the Springsteen & I documentary, or the pulling up of dozens on stage every night, Springsteen himself is more open with his fans than ever. He obviously won’t come right out and say it, there probably isn’t even any firm plans in place. But if he says it’s something he genuinely wants to do, it would be a safe bet that it’s somebody’s job somewhere to make sure he gets what he wants.
Meanwhile, in many interviews in the past few years Springsteen has said that he’s no intention of slowing down while the band are at their best and the light at the end of the tunnel is ‘getting closer’.

Everyone’s making a killing
It’s not cheap to go to a Springsteen show, but people will still pay through the nose to get tickets to every concert and the promoters know it. This alone is all the incentive promoters like Michael Gudinski and Frontier Touring need to do whatever they can to bring them back again and again. I don’t think anyone’s in any doubt that these guys had to do a lot to bring Springsteen and the band here for the first time in 10 years, and it has clearly worked. 
The 2013 Wrecking Ball tour was already a dream come true for many fans in Australia. And this year’s shows, complete with headline-making cover songs and full-album performances took that to a whole new level.


There’s always rumours of another new album 
Not everyone was happy with the format of High Hopes – the release Springsteen himself called his ‘anomaly’ album. Instead many fans are waiting for a full album of original material with some underlying theme driving the style and tone of his work that has been demonstrated in recent decades. So even with the release of High Hopes, fan discussion following intense analysis of published interviews with Springsteen and the band easily lead to the assumption there was more to come. And that it would come sooner than we think. (And if you are to consider the four-track American Beauty release for Record Store Day, these assumptions weren’t too far wrong.)

TOO SOON?

But aside from all the excitement, expectation and Springsteen’s apparent love of surprising his fans at any given moment, speculation of a 2015 return does come with the question many debt-ridden tour followers ask: Do we want Springsteen to return so quickly?

At the end of February whenever discussion about 2015 rumours came up they were always met with the regrettable realisation that a longer break between tours would be welcome, and the hope that if he is back then, it’s at the end of the year, not the same time as the previous summer time shows.

This response was no doubt partly in response to tour/roll call-fatigue - which after 10 shows in three weeks can easily set while you’re waiting for that final wristband.

In fact, after a few weeks of hotels, flights and racing for the low numbers, you would be surprised how quickly real life comes calling. 
Especially near the end of the road.
A road which goes from being wide open and full of hope to being dominated by big, bright signs warning about out how much mileage is left in the financial tank, and how long you’ll be working before you can get back out on the tour highway again. 


FROM POST-BRUCE BLUES TO TOUR DATE LIMBO

But as The E Street Band revisit cities across America and dates in Europe crumble through the rumour mill, fans in Australia who take notice of the rumours remain in a strange limbo between wild speculation and verified confirmation of any future tour.
The result is any holiday, home renovation or expensive car upgrade plans have to answer to the voice in the back of their mind telling them that maybe they shouldn’t spend their money or sacrifice their annual leave just yet in case Bruce does come back.

And when he does it following him across the country for weeks at a time really will be the final time they indulge in the once-in-a-lifetime, may-never-happen-again event.

Until of course the penultimate show of that tour… when rumours of another return creep from backstage.

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Until then, head to  
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 Cheers!

Tuesday 8 April 2014

Bruce Books Review: Which Springsteen biography is worthy for your collection?


In the past few years there have been plenty of books released about the career and life of Bruce Springsteen. 
Together with documentaries such as Springsteen & I and a website through which he shares more and more personal photos and videos, fans have been able to take a constant stream of details from both his life and that of the E Street Band. 


When interviewed in Perth earlier this year Springsteen even told the media that with social media and the internet he had learned to appreciate an openness with the public that he might previously have shied away from, because the details would be ‘out there anyway’.
As the Springsteen travelled the world with warnings about the steel in his stories turning into rust with the Wrecking Ball tour in 2012 and 2013, three books in particular that detailed the life of the rock icon and The E Street Band were released.
All with varying levels of access to Springsteen, the band and people who helped shaped the legacy of all things E Street.
Although fans need little introduction to the most well-known chapters of Springsteen’s life – the early days of Steel Mill, the misinterpretation of Born In The USA, the breaking up and reunion of the E Street Band etc... – each of these books provide a unique perspective on the man and his music.

Bruce 
– Peter Ames Carlin

This book needs little introduction. Carlin had a great access to Springsteen, his friends and family that he even got a good selection of photographs from across the generations.
Starting with the family history, Bruce really goes into what inspires and drives the man and where he came from.
It’s most memorable chapters are those that detailed how Springsteen developed through his teenage years into a musician and songwriter. Anecdotes of a motorcycle crash and leg injury that resulted in a haircut and a way out of the military draft, to the first encounters of those who would later shape his destiny are all in there.
More importantly you don’t have to be a super fan to enjoy the read. As the title suggests it’s about the person behind the music and a story of a boy who wanted a guitar for Christmas and once scaled the wall of Graceland to try and see Elvis, and how he became one of the biggest rock stars on the planet.
At times the book is a gripping read, even if you know what album was about to be formed by the chaos that seemed to surround Springsteen at several times.
If it’s an approachable, engaging book on Springsteen and his life you’re looking for – this is the one you want.

Bruce Springsteen and The Promise of Rock ‘n’ Roll 
 – Marc Dolan

Dolan’s book takes the life story of Springsteen and delves deeper into the analysis of his music and live performances than you could probably expect.
Throughout the chapters details upon details of how each album was formed by Springsteen and the pressures that influenced his mood at the time are all explored. 
 Through news archives, interviews, bootlegs and every other possible source of information is raided and presented with a keen eye for what any fan could want to know.
Despite its huge wealth of information about outtakes, performances and attitudes across the years you do get the feeling that there’s still plenty out there to hear – the book kind of acts like the Tracks boxset. It’s a generous helping to fill a fan’s appetite but those totally hooked know there is a wealth of recordings – and stories behind them – still out there waiting to be heard.
What this book does really well is take you into the shaping of many of Springsteen’s albums and how the reaction to them would shape the musician and band. Exploring the influences, both personal and musical, that shaped Springsteen’s work, Dolan’s writing helps provide even huge fans with a new outlook on several albums.
If there is an album you might shy away from in your collection – Tunnel Of Love and Devils and Dust for example – the insights and analysis of the song writing and production, and the personal and political themes that lie behind them, give them a whole new perception.
This book will have you reaching for an album to re-listen and re-evaluate your opinion of it before you even finish the chapter you’re on.


E Street Shuffle: 
The Glory Days of Bruce Springsteen & The E Street Band 
– Clinton Heylin

A book that focusses strongly on the rise of The E Street Band, Heylin’s contribution is one that offers a detailed history lesson into the players that shaped the early years of Springsteen’s career.
It’s a complex and informative account of how the band formed and developed to their first album and beyond, but one that is probably best appreciated by those who want to know every detail of Springsteen’s career – whether it’s really all that interesting or not.
Where this book excels is the paragraphs of direct quotes from Springsteen and others that break up the chapters. Adding more than just a sense of authenticity, but a new voice altogether – which at times is really needed.
Particularly in the case of Springsteen’s legal battle with Mike Appel and the firing of drummer Vini Lopez. Even bandmates Steve Van Zandt and Nils Lofgren and contemporaries such as David Bowie get a few sentences in.
As Heylin mentions in the afterword the book has a heavy focus on the days leading up to the release of Darkness On The Edge of Town and everything that shaped the album. (The highly accomplished author says it was 2010’s re-release with The Promise­ documentary and all the trimmings that inspired him to get back to an E Street book.)
There’s a lot of detail which at times seems to hold back the story of how the band developed to take on stadiums across the world. But with that comes the reality of just how much work, time and people were involved in the early years of The E Street Band and how far they came when the time arrived for a reunion.


And one for the road…

Big Man 
– Clarence Clemons & Don Reo

Part written by Clemons, part written by his friend Reo, Big Man is a unique biography that every Springsteen fan should read.
It not only allows Clemons to tell a new view on the E Street Band, but also adds to the legends and stories that have emerged from 40 years of music.
Published in 2009 it is quite simply one of the most fun books you can read, and one that Clemons himself admitted had a few grey areas where stories from the road became so embellished that he’d forgotten whether they were true or not.
Regardless, the style of the book – clearly labelled short chapters written by Clemons and Reo – make it one you can dive into again and again.
While offering a great biography of the Big Man, it also adds brilliant stories of Clemons’ career and his thoughts on the worldwide fame of Springsteen and the E Street Band.
Some notable tales include the time he bumped into Muhammad Ali, when he and Springsteen gave a waitress supposedly named after the song Rosalita a free car, and how he felt about not actually making the album cover of Born To Run. But being folded over to the back.
The details may not always be accurate, but the voice is clear, warm and exciting throughout.
Not just a great Springsteen-related book, but one my all-time favourite reads.

Got a better suggestion? Let me know below... 

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Meanwhile, head to  
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 Cheers!



Friday 4 April 2014

The Post-Springsteen Tour Ties That Bind...


It’s been a month since I flew home from Auckland, after two great bucket-list-ticking Springsteen shows to finish the 2014 tour and of course discover I had indeed powered through those final concerts on a broken foot.

(Seriously, where’s my fucking medal?!)

Since then the roll call run-inflicted injury has served a great distraction to what so many other Springsteen fans and writers deem to be the ‘Bruce Blues’.


You can’t underestimate the physical and mental toll endured during that period of time after spending days or weeks on the road where you’re only existence in life is to get a low number, get to roll call and get a spot near the stage for the show. In between issues of working out what to eat, drink and where to sleep are incidental.

All making the final concert and trip home a painful goodbye, and the adjustment to working life a depressing return to reality. 
 
No matter how much pain you suffered or how tired you got hitting show after show, the moment you finally get home and have to face going back to work you know where you would rather be.

Some good ways to avoid the post-tour blues is to organise meet-ups within a few months, go see another live music show – for me it was the excellent Neil Finn – download some bootlegs and to invest in whatever new concert release is available for home viewing. MusicCares anyone?

This time however, all my tour-end depression has been kept at bay as I have to watch almost every step I take with my left foot in a protective Equalizer Walker – aka a moonboot.
  
Clearly someone who busts a metatarsal on the final step of a run to keep number 46 in line at roll call already has some coordination difficulties. 

But put my left leg in a plastic padded, Velcro-strapped boot and I’m not going to be able move anyway without trouble.

A week on crutches saw me bash things over and get them stuck everywhere.
Off the crutches I have to really concentrate on walking up and down stairs because it takes ages and depending on going up or down a different foot has to lead the way. Get it wrong and I have to grab on to the nearest rail to stop from flailing down the stairs. 
 
Meanwhile after kicking a few people - accidentally - in a crowded bar I’ve decided after work drinks in the city are being put on hold for a few weeks. They’re just not safe.

Overall it hasn’t been too bad, but it does seem that the universe is bent on kicking me while my left foot is down, by constantly reminding me of how exactly I broke my foot.
First, as I’m taking an load of taxis to work and back, I’m constantly telling everyone where I live.

Until I’ve always got a kick out of living on a street called Tenth Avenue. In three years of walking down the road or driving past the sign everyday it hasn’t got old.

Limping past it however, it begins to wear you down. 

Then of course is the irony that people have just loved to point out about how and where I broke the foot. My part of the conversation frequently goes like this...


Yes, I went to Auckland in the hope of seeing Bruce Springsteen and The E Street Band play the full Born To Run album I missed in Melbourne. 


Yes, I broke my foot running. 


No, clearly I ‘wasn’t born to run’.
 

No…. all shows aren’t the same, and I did go to the ones in Perth.

(Who knew there were so many fucking observant comedians?….)

The best reminder of all however was the part of the hospital I have to hop to for the follow up appointments.

The outpatients department for foot injuries is of course on ‘E Street’. 

Brilliant.

So as I count down the final ten days of only wearing a show on my right foot and limping like a 6ft 2 idiot with his leg stuck in a bucket, at least I know I still have one more visit to E Street to look forward to.

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In the meantime, those who want to help my recovery, head over to 
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 Cheers!